2 Movies Starring Boris Terral

Post Coitum

Post Coitum

Basic Info:

Released Date:

1998-02-13

Languages:

French

Countries:

France

Runtime:

97 min

IMDB Ratings:

(493 Reviews)

Director:

Brigitte Roèan

Genres:

DramaRomance

Cast:

Writer:

Santiago Amigorena

Philippe Le Guay

Jean-Louis Richard

Brigitte Roèan

Guy Zilberstein

Fullplot:

Diane, a Parisian of 50, a book editor married with two teen children, has an affair with a twenty-something engineer. He's Emilio, the flat-mate of Franèois, a writer she's coaxing through a second novel. Her husband Philippe, who suspects and then confirms her infidelity, is the attorney defending an older neighbor who stuck a fork in her husband's jugular. We know Diana's affair will end, but how much damage will it do? Will Philippe emulate his murderous client, or will Diana's bathos play out as farce? Can Diana rescue herself from the self-indulgence that comes with lovesickness?

The King Is Dancing

The King Is Dancing

Basic Info:

Released Date:

2000-12-06

Languages:

French

Countries:

France, Germany, Belgium

Runtime:

115 min

IMDB Ratings:

6.8 (1558 Reviews)

Director:

Gèrard Corbiau

Cast:

Writer:

ève de Castro (scenario

adaptation and dialogue)

Andrèe Corbiau (scenario

adaptation and dialogue)

Gèrard Corbiau (scenario

adaptation and dialogue)

Didier Decoin (participation)

Philippe Beaussant (book)

Fullplot:

Corbiau repeats the Farinelli formula, artistic rivalry and social private drama expressed in dazzling, sometimes excessively lavish baroque scenery, music and costume, but this time in its ultimate setting: Versailles. There are two protagonists - first the title character, Louis XIV, the French sun-king who has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer (like Nero wrote and performed musical poetry), and starts asserting himself against the entourage of his Medici mother, the regent during his minority, by building his palace complex and launching a 'fitting' new, mainly musical display of baroque show. Secondly the musical genius Gianbattista Lulli ('Jean-Baptiste') Lully, a Florentine upstart of unbridled ambition, quickly gains the king's absolute trust, despite the nationalist and aristocratic opposition to a low-born Italian, and thus turns the normally socially humble post of court composer into a 'ministerial portfolio of culture' of Cabinet rank, complete with a monopoly which kills of his artistic rivals in operatic theater. The script also weaves a complex web of court scheming for individual power and social interests, and even a sadistic but accidental murder on a young valet, producing a sensuous and sumptuous drama too complex for this format, ending in a freakish but fatal accident. Louis XIV's mother was Ana de Austria (in French, Anne d' Autriche), the daughter of one of the Hapsburgh Kings of Spain. Maria di Medici (in French, Marie de Mèdicis) was his grandmother, his father's mother. She was dead before Louis XIV reached the throne. Please correct the reference to "his Medici mother"

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