15 Movies Starring Chazz Palminteri

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Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in a legal fashion, Snaps sets about to keep his promise. He is faced with numerous problems: henchmen who know nothing but crime, the police who are convinced he is hatching a master plan, and Oscar, who has just got his daughter pregnant.

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Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to develope a relationship with the policeman who has been trying to put Sal away. Sal wakes up in the morgue very confused and very thirsty. He goes back to his old haunts and begins to create an organized crime family of vampires while Marie and her policeman lover hunt him.

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Gangster Sonny is the big man in the Bronx neighborhood of an Italian small boy named Calogero. A shooting witnessed by the boy (nicknamed C) is the starting point of a lasting bond between the gangster and the boy. Father (bus driver Lorenzo), however, disapproves. C grows up under the wing of both men, torn between his own natural honesty and his fascination with Sonny. C's neighborhood cronies get involved in theft, use of guns, and racial fights. When C falls for an African American girl, things don't get any easier. C's leap to manhood is marked by tragedy, but also by his recognition of the many faces of love.

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Set in 1920's New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick's girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway's complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive's interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.

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Someone does a nasty hatchet job on a San Fransisco big noise and the Assistant D.A. takes charge of the investigation. Through a web of blackmail and prostitution involving the Governor, an old lover of the lawman emerges as a prime suspect and he has to deal with his personal feelings as well as the case.

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The wife and mistress of a cruel school master collaborate in a carefully planned and executed attempt to murder him. The plan goes well until the body, which has been strategically dumped, disappears. The strain starts to tell on the two women as a retired police investigator who is looking into the disappearance on a whim begins to think that they know more than they are telling, and their mental state is not helped when their victim is seen, apparently alive and well by one of the pupils.

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For their 20th wedding anniversary, Jack gets Maggie a diamond necklace and a hit man. But when Tony shows up and, waiting for the signal from Jack in Connecticut to do the hit, he and Maggie begin to talk - perhaps Tony can come to value Maggie even more than her husband does. And when Jack shows up, things get very tricky.

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This film is about the adventures of a 1940's special anti-gangster police squad in Los Angeles, the infamous 'Hat Squad.' The four members of this squad are big, tough, no-nonsense cops who don't hesitate to break the law, if it suits their purposes. When a local woman is murdered, their investigation turns up the fact that she had been romantically linked to several prominent men and had secret films taken of her liaisons. Since one of those men is the powerful U.S. Army General at the head of the then-new Atomic Energy Commission and another is the (married) leader of the Hat Squad, complications ensue. The FBI even gets involved in an attempted cover-up.

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Hurly-burly is an adaptation of David Rabe's well known play about the intersecting lives of several Hollywood players and wannabes who's personal lives threaten to veer into a catastrophe more interesting than anything they're peddling to the studios.

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Ben Sobol, Psychiatrist, has a few problems: His son spies on his patients when they open up their heart, his parents don't want to attend his upcoming wedding and his patients' problems don't challenge him at all. Paul Vitti, Godfather, has a few problems as well: Sudden anxiety attacks in public, a certain disability to kill people and his best part ceasing service when needed. One day, Ben unfortunately crashes into one of Vitti's cars. The exchange of Ben's business card is followed by a business visit of Don Paul Vitti himself, who wants to be free of inner conflict within two weeks, before all the Mafia Dons meet. Now, Ben Sobol feels somewhat challenged, as his wedding is soon, his only patient keeps him busy by regarding Ben's duty as a 24 hour standby and the feds keep forcing him to spy on Paul Vitti. And how do you treat a patient who usually solves problems with a gun?

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It seems everyone is trying to get into heaven; at least those whose time is up. For Lance Barton, a struggling comedian and bicycle messenger, it's the last thing on his mind. His due date upstairs is 50 years away. In the meantime, he's got big dreams to pursue on Earth, such as landing a slot at the final Amateur Night Contest at the famed Apollo Theatre. Lance's has one little problem though - he ain't that funny. Thanks to an over-cautious emissary from heaven, Mr. Keyes, he's going to get hit (literally) with a much bigger problem. Showing that even God has difficulty finding good help these days, the inept minion mistakenly plucks Lance from a traffic accident - before it takes place. Transporting him to the Pearly Gates, or more accurately, the velvet roped-lines of the hottest club around, the error is finally addressed by Mr. King, the streetwise, no-nonsense head angel who manages the place from his plush windowed office. Since returning to his own body on Earth is impossible, the urban dwelling Lance reluctantly agrees to a normally unthinkable proposal. He'll occupy the body of a wealthy old white mogul, Charles Wellington, until a more suitable body can be found. Strangely enough, in a Park Avenue penthouse, servants and butlers become his new homeys as Lance works on his streetwise comedy routine for the big Apollo showdown. Living in the body of a callous old white man would be bizarre enough for Lance without falling in love with Sontee, the beautiful woman publicly battling Wellington's company at the same time. And if that wasn't enough, he's got to deal with the love affair between Wellington's wife and his personal assistant, and their plot to have him killed. Can reincarnation lead to self discovery, true love and a better stand up routine? Lance Barton is about to find out.

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Lady and Tramp's mischievous pup, Scamp, gets fed up with rules and restrictions imposed on him by life in a family, and longs for a wild and free lifestyle. He runs away from home and into the streets where he joins a pack of stray dogs known as the "Junkyard Dogs." Buster, the pack's leader, takes an instant disliking to the "house-dog" and considers him a rival. Angel, a junkyard pup Scamp's age, longs for the safety and comfort of life in a family and the two become instant companions. Will Scamp choose the wild and free life of a stray or the unconditional love of his family?

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Obsessed by the world of pool, Johnny (Mars Callahan) could be one of the best. But his mentor and "trainer" Joe (Chazz Palminteri), a shady hustler who decides how and who Johnny plays, is holding him back from his dream. When the day finally comes, Johnny breaks from Joe, which leads to only one thing -- violence. Joe is beaten up by some of Johnny's buddies as a sign to leave him alone, and with this final act of freedom, Johnny leaves the world of pool-sharking. After an ultimatum from his girlfriend Tara ('Alison Eastwood'), Johnny finally commits to a "real" job in the construction business, but is soon miserable there. He finds himself spending most of his time with his younger brother Danny (Michael Rosenbaum) who it seems is following in his footsteps on the road to a life Johnny left when he broke from Joe. As for Joe, he is bent on revenge for the beating he took, and soon he has a new protègè Brad (Rick Schroder) who is just as good if not better then Johnny. And he's got his eye on Johnny's brother. The two play a high-stakes game of pool which ends in a huge debt owed to Joe, and soon Johnny finds that his brother is in jail for trying to steal the money he owes. The only way out for Johnny is to play Brad, which results in a "race to nine" showdown that pits two of the greatest players against each other for large sums of money, and Johnny and Danny's lives.

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After a drug-op gone bad, Joey Gazelle is put in charge of disposing the gun that shot a dirty cop. But things goes wrong for Joey after the neighbor kid stole the gun and used it to shoot his abusive father. Now Joey has to find the kid and the gun before the police and the mob find them first.

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The Dukes,(Chazz Palminteri and Robert Davi) a Doo Wop group, were on top of the world at 17, now are struggling for survival in 2008. Their manager (Peter Bogdanovich) is desperately trying to get them work but is met with failure at every turn. Finally pushed to the extreme , they pull a heist only a fool would attempt, which leaves them even more desperate. When all seems lost, they find themselves. Underneath the laughter, "The Dukes" is a film that explores the intricacies of re-defining yourself; not only dealing with lost fame but applies to anyone whoever found themselves at the bottom of the mountain looking up where they once were; and how ,in changing times, to hold onto your true self