3 Movies Starring Christian McKay

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In November 1937, high school student and aspiring thespian Richard Samuels takes a day trip into New York City. There, he meets and begins a casual friendship with Gretta Adler, their friendship based on a shared love and goal of a profession in the creative arts. But also on this trip, Richard stumbles across the Mercury Theatre and meets Orson Welles, who, based on an impromptu audition, offers Richard an acting job as Lucius in his modern retelling of Julius Caesar, which includes such stalwart Mercury Theatre players as Joseph Cotten and George Coulouris. Despite others with official roles as producer John Houseman, this production belongs to Welles, the unofficial/official dictator. In other words, whatever Welles wants, the cast and crew better deliver. These requests include everything, even those of a sexual nature. Welles does not believe in conventions and will do whatever he wants, which includes not having a fixed opening date, although the unofficial opening date is in one week's time. In turn, Welles realizes that his name will either be strengthened or ruined in the theater community by this production. Richard is taken under the wing by the production's Jane-of-All-Trades, Sonja Jones. Known as the Ice Queen by the male cast, Sonja deflects much of the unwanted sexual attention by jokingly implying that she and Richard are having a fling, which Richard wants nothing more than to be the truth. As the end of the week and opening night approaches, Richard, having seen Welles' behavior, has to decide if acting in this production is worth it at any cost.

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Middle aged Jonathan, Richard, Rob and Tim are friends from their college days, each who has had some modicum of success in his life, but each who is facing an issue resulting in dissatisfaction with his current lot. Divorced father Jonathan is a physician whose practice is largely made up of wealthy patients for who he writes prescriptions for drugs for recreational use in return for payola. Party boy Richard was once a novelist, but now resorts to teaching high school English to make a living. Stockbroker Ron is happily married with kids, but in providing for his family, he decided to steal from his clients which has now resulted in a probable indictment by the Securities Commission for embezzlement. And five years ago, openly bisexual Tim was the driver that caused an accident which killed both his sister and his boyfriend, the guilt surrounding which still remains with him. As they live in various parts of the country, they make a point to get together at least once a year for a week, this year's gathering at a rented beachfront house in Big Sur to celebrate Tim's birthday. Their get-togethers are to escape the responsibilities of their everyday lives, by reliving their former frat boy days of drugs, sex and partying. An incident that occurs half way through their scheduled time together leads to them examining their lives, and deciding individually and collectively if they will keep true to a pact they made twenty-five years ago. Their situation is complicated by their encounters with the local sheriff, Officer Boyde.

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1830. Violin virtuoso and notorious womanizer Niccolè Paganini (David Garrett) is at the peak of his career, acclaimed throughout Europe. His name alone suggests countless affairs and scandals - which is exactly what his manager Urbani (Jared Harris) is doing his utmost to cultivate, for it is in his interest to market his famous client the best way possible. Only the London public has yet to be conquered. In a plan to lure Paganini to London for his British debut, English impresario John Watson (Christian McKay) and his mistress Elisabeth Wells (Veronica Ferres) risk all they own. Business-savvy Urbani ultimately manages to bring Paganini to the British capital, albeit against his will. And thanks to the rave reviews by journalist Ethel Langham (Joely Richardson), Urbani's strategy seems to be working better than he imagined. Fans throng his hotel, causing pandemonium. Musician and manager are forced to take refuge at Watson's home, where Paganini quickly takes a liking to his host's lovely daughter Charlotte (Andrea Deck), a talented singer. She and the violinist find the way to each other's hearts through music - and Paganini falls undyingly in love with the young beauty. This displeases Urbani, however, who fears he will lose his influence on his protegè. He begins to craft a diabolical plan...