22 Movies Starring Elias Koteas

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Floyd, the owner of a bar on the Texas coast, has been depressed for a year after his wife disappeared in a swimming accident. He lives with his senile father-in-law "The General" and is helped by Jimmy, a former asylum inmate, and the good-natured Louise. The bar is rapidly losing money and Charlie wants to buy it cheaply before it becomes publicly known that a nearby bridge is to be built. Louise offers her savings to go into partnership with Floyd, but Floyd decides to sell when he is forced to pay his back taxes.

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Based on Victor Malarek's best-selling autobiography, this is the extraordinary true story of a streetwise kid who emerges from a violent and unjust background to become a top journalistic reporter. The gunning down of an unarmed juvenile by a trigger happy cop leads the young reporter, Victor Malarek, into an investigation of the local detention center and its record of suspicious deaths.

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Mollie and James are together and raising a family, which now consists of an older Mikey and his baby sister, Julie. Tension between the siblings arises, and as well with Mollie and James when Mollie's brother Stuart moves in. Mikey is also learning how to use the toilet for the first time.

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Through contact with a mysterious substance, called Ooze, 4 little turtles in the canalization of New York mutate to giant turtles. They can speak, walk upright and love pizza. The wise rat Splinter becomes their mentor and educates them to Ninja fighters. Their arch-enemy is the bad, bad guy Shredder, who struggles to gain power over the world. Of course the ninja turtles will do everything to stop him.

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A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for the Board of Censors. They live with their son Simon and Hera's sister in a show-flat. One day, they meet Bubba, who wants to make a movie in their house.

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The four turtles travel back in time to the days of the legendary and deadly samurai in ancient Japan, where they train to perfect the art of becoming one. The turtles also assist a small village in an uprising.

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Angels come to Earth to find a human soul that can end the war in heaven. Humans are caught up in this battle and must find a way to stop the angel Gabriel before he takes the soul back from where the angel Simon has hidden it.

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Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed.

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In World War II, the outcome of the battle of Guadalcanal will strongly influence the Japanese advance into the Pacific theater. A group of young soldiers is brought in as a relief for the battle-weary Marines. The exhausting fight for a strategically-positioned airfield that allows control over a 1000-mile radius puts the men of the Army rifle company C-for-Charlie through hell. The horrors of war form the soldiers into a tight-knit group; their emotions develop into bonds of love and even family. The reasons for this war get further away as the world for the men gets smaller and smaller until their fighting is for mere survival and the life of the other men with them.

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Harrison Lloyd is a Pulitzer-winning photojournalist. His wife and family are making it hard for him to keep his mind on his work when he's in a war zone, and he wants to change jobs to something less stressful. But he's got one last assignment, in war-torn Yugoslavia, in 1991, at the height of the fighting. Word comes back that he apparently died in a building collapse, but his wife Sarah (also a journalist for Newsweek) refuses to believe that he's dead and goes looking for him. She's helped immensely by the photo-journalists Eric Kyle and Marc Stevenson that she runs into over there; together, they're determined to make it through the chaotic landscape to Vukovar, which is not only the nexus of the war but where she believes Harrison is located. Meanwhile, Harrison's son Cesar is looking after his father's prized greenhouse, keeping hope, and flowers, alive.

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Charts one family's encounter with the dark forces of the supernatural. When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner's clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to crossover. Now terror awaits when Jonah, the boy who communicated with the dead, returns to unleash horror on the innocent and unsuspecting family.

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The owner of a 1930s nightclub loses control of his life amid love triangles and too much debt.

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Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

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Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

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Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

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A crooked cop, a mob boss and the young girl they abuse are the denizens of a city's criminal underworld. It's a world that ordinary Arthur Poppington doesn't understand and doesn't belong in, but is committed to fighting when he changes into a vigilante super-hero of his own making, Defendor. With no power other than courage Defendor takes to the streets to protect the city's innocents.

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The story of three people from the same suburban town during the course of one curious autumn day.

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Some say that all houses have memories. For one man, his home is the place he would kill to forget. A family unknowingly moves into a home where several grisly murders were committed...only to find themselves the killer's next target. Successful publisher Will Atenton (Craig) quit a job in New York City to relocate his wife, Libby (Weisz), and two girls to a quaint New England town. But as they settle into their new life, they discover their perfect home was the murder scene of a mother and her children. And the entire city believes it was at the hands of the husband who survived. When Will investigates the tragedy, his only lead comes from Ann Paterson (Watts), a neighbor who was close to the family that died. As Will and Ann piece together the disturbing puzzle, they discover that the story of the last man to leave Will's dream house will be just as horrifying to the one who came next.

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Lisa, a gambler who lives for the cards. Robert, a millionaire philanthropist, Mark (Elias Koteas), a cop reaching the end of a gruesome career. Zach, a brilliant psychiatrist. Melody, a teenager battling drug addictions. Diane, a caring nurse whose patients are the only life surrounding her. What do these six people have in common? Something connects them all - each of them is on the road to self-destruction, each is truly lost. And then, something happens: they all wake up in cells in a surreal facility, without knowing how they got there or why. Are they in denial? Are they crazy? What happened? They soon discover they are not alone, when the mysterious Jacob (Pyper-Ferguson) forces them into a disturbing experiment, during which the unwilling participants come to face disturbing truths about themselves and decide each others fate in a nerve racking game of dice.

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A drama that chronicles the life of Winnie Mandela from her childhood through her marriage and her husband's incarceration.

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On the last day of the first manned mission to Mars, a crew member of Tantalus Base believes he has made an astounding discovery - fossilized evidence of bacterial life. Unwilling to let the relief crew claims all the glory, he disobeys orders to pack up and goes out on an unauthorized expedition to collect further samples. But a routine excavation turns to disaster when the porous ground collapses and he falls into a deep crevice and near certain death. His devastated colleagues attempt to recover his body. However, when another vanishes, they start to suspect that the life-form they have discovered is not without danger.

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Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.