4 Movies Starring Harry Baer

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Franz Walsch, a small-time hood, is released from jail and searches for his old acquaintances. He finds his girlfriend Johanna and visits his mother with his brother Marian. Women are attracted to Franz, though he is a man of few words and remains emotionless throughout his encounters with them. Johanna becomes jealous when Franz goes off with his new lover Margarethe, and the pair connect with his old buddy Gènther, known as the Gorilla. After Marian is murdered, a detective searching for the Gorilla and Franz pressures Johanna into divulging what she knows about them.

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Whity is the mulatto butler of the dysfunctional Nicholson family in the south-west U.S. in 1878. The father, Ben Nicholson, has an attractive young wife, Katherine, and two sons by a previous marriage; the homosexual Frank and the disabled Davy. Whity tries to carry out all their orders, however demeaning, until various of the family members ask him to kill some of the others.

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Jailbait (Wildwechsel, 1973), also known as Wild Game Crossing, is a bleak story of teenage angst, set in industrial northern Germany during the 1950s. Like in many other of his films, Fassbinder analyses lower middle class life with characters who, unable to articulate their feelings, bury them in inane phrases and violent acts.[51] Love turns into a power struggle of deception and betrayal. The story centers on Hanni, a precocious fourteen-year-old schoolgirl who starts a relationship with Franz, a nineteen-year-old worker in a chicken processing plant. Their romance faces the opposition of the girl's conservative parents. Franz is sentenced to nine months in prison for having sex with a minor. When he is released on probation, they continue their relationship and Hanni becomes pregnant. Afraid of her father's anger, she persuades Franz to kill him. Back in prison, Franz is told by Hanni that their child died at birth and that their love was "only physical"

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Director Hans-Jurgen Syberberg examines the rise and fall of the Third Reich in this brooding seven-hour masterpiece, which incorporates puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. Syberberg, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust.