4 Movies Starring Jeanette Hain

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Zobel and Karl are a long time gay couple who live together in a trailer home with Lizzie, Zobel's spunky daughter from a heterosexual misadventure. Together these three form a team of thieves who eke out an existence as pickpockets. After a botched job, Karl becomes unable to work, forcing Zobel and Lizzie to seek out a new partner. Lizzie recruits Rudolf, the boyishly charming town misfit. Reluctantly, Zobel allows Rudolf to join them but warns him to never break the golden rule: "No exchanging of bodily fluids within the team." This dictum becomes increasingly difficult to live by as Lizzie's cravings and Zobel's own passions toward Rudolf intensify. Eventually, the golden rule is broken by Lizzie...and then again by Zobel (unbeknownst to Lizzie, of course). An intricate love triangle soon develops amongst the three that is shaped by deception, desire, and betrayal.

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THE READER opens in post-war Germany when teenager Michael Berg becomes ill and is helped home by Hanna, a stranger twice his age. Michael recovers from scarlet fever and seeks out Hanna to thank her. The two are quickly drawn into a passionate but secretive affair. Michael discovers that Hanna loves being read to and their physical relationship deepens. Hanna is enthralled as Michael reads to her from "The Odyssey," "Huck Finn" and "The Lady with the Little Dog." Despite their intense bond, Hanna mysteriously disappears one day and Michael is left confused and heartbroken. Eight years later, while Michael is a law student observing the Nazi war crime trials, he is stunned to find Hanna back in his life - this time as a defendant in the courtroom. As Hanna's past is revealed, Michael uncovers a deep secret that will impact both of their lives. THE READER is a story about truth and reconciliation, about how one generation comes to terms with the crimes of another.

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In the summer of 1914, thirteen-year-old Oda von Siering (Paula Beer) leaves Berlin to join her family and an assortment of German and Russian aristocrats on an estate in Estonia. The von Siering family home is a character in its own right, a hulking, neoclassical manor that hovers on stilts above the sea. Oda arrives there bearing her mother's coffin and a gift requested by her surgeon father: a jarred, two-headed fetus to add to his laboratory of gruesome curiosities. Ebbo von Siering (Edgar Selge) sees himself in his daughter when she calmly and expertly learns to suture the corpse of a cat. What he fails to recognize - and what Oda luckily understands - is that their interest in science is their only similarity. His dedication to experimentation is linked to an appalling obsession with power and destruction, while Oda is genuinely curious about life. Her quick, quiet intelligence complements her humanity and her lucid understanding of right and wrong. When she strays from a family picnic and discovers a badly wounded Estonian anarchist, she helps him without a second thought, smuggling him into her father's lab and putting her new surgical skills to good use. As their illicit friendship deepens, family turmoil escalates and war closes in. The safe haven of the community collapses, forcing Oda's family to make impossible choices.

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At the end of his life, Wilhelm Reich - psychiatrist and experimental scientist searching for the fundamentals of life - finds himself on trial, charged with deception. His dream of liberating human individuality makes him a dangerous opponent of an American system that is striving after 1945 for global hegemony, using all available means. Was it madness to believe in man's liberty or was Reich simply in the wrong place at the wrong time, and, being a holistic global thinker, accurately observing far-reaching socio-political linkages? Ten years after his mysterious death, his writings, once burnt by the US FDA, become an important source of inspiration for a '68 generation in revolt.