29 Movies Starring Liv Ullmann

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A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. Alma eventually confesses her secrets to a seemingly sympathetic Elisabeth and finds that her own personality is being submerged into Elisabeth's persona.

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During civil war, two musicians retreat to a rural island to farm. They are apolitical; a neighbor sometimes gives them a fish; wine is a luxury. They love each other, but there are problems: the war upsets Jan, he is weepy, too sensitive; Eva wants children, he does not. The war suddenly arrives: rebels attack, neighbors die. When the other side restores order, Jan and Eva are arrested as collaborators. After frightening and roughing them up, the local colonel releases them; then he begins appearing at their farmhouse: to talk or to pursue Eva? He gives her money. The rebels return; chaos ensues. Jan becomes violent and murderous; they flee. Can they escape? If so, to what?

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An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories.

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Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.

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In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. However, the small size of their land, the infertile soil, and some bad harvests makes it tough. One of their children even starve to death. Thus, they decide to emigrate to the U.S. They meet a group of farmers with their families planing the emigration under the leadership of a banned priest. They sell everything and embark for the U.S. The journey on the sailing ship is long and tedious. Some of the emigrants will never reach the New World.

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This film continues from where Utvandrarna (1971) left off. Starting a new life in the New World from almost nothing is not easy. The winters and summers are more extreme than in the Old World. But the immigrants are rewarded for their hard work. They now live a better life than they did in Sweden. Bad times also come, however. The civil war starts and the Sioux Indians make a bloody uprising against the white settlers. Karl-Oskar's family survives all these. His brother, Robert, decides to seek his fortune in the gold fields of California. He never reaches California but acquires some fortune from his boss who dies of yellow fever on the way to the gold fields. An immigrant Swede dupes him of this fortune. Robert returns to his brother where he dies from a disease contracted on the trip. Kristina, whose thoughts never leave Sweden, has several more births and gets pregnant again against the advice of her doctor. This last pregnancy kills her. The children grow up and take over the farm. Karl-Oskar becomes old and lonely. He spends his last days dreaming of his youth in the Old World.

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In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.

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Forty year old Norwegian-American divorcèe Ann Stanley owns her own Manhattan based real estate agency specializing in upscale Manhattan apartments. She lives with her seventeen year old daughter Trina Stanley, and her mother, Maud Ericson, who acts more the teenager than Trina. Largely because of her uptight and regimented attitude, Ann has had no love in her life since divorcing her ex-husband, character actor Billy Boylan, an irresponsible man who she still loves as a friend and who she sees whenever he is in town between acting jobs and whenever he needs money from her. Ann's uptight attitude seems to have softened slightly ever since returning from a trip to Greece with Maud. What she has not told anyone is that her softened attitude is from a romantic one night only liaison with a young American man she met by happenstance by an out of the way Greek beach, he who tried to get her to be more carefree, if only for that one night. Purely by coincidence, she meets that man again in New York. He is twenty-two year old Peter Latham, a steel heir who is an acquaintance of Trina's. While Ann's family and friends encourage her to pursue a relationship with a wealthy southern gentleman client named J.D. Rogers, Peter pursues Ann behind the scenes, while Maud believes Peter wants to court Trina. Peter is falling in love with Ann. Although she admits she is flattered by Peter's declaration, Ann may not be able to get over the difference in their ages, regardless of what she may be feeling about him. If she can let go of that repressed attitude, she may give herself the opportunity to examine if she truly does have romantic feelings for Peter, and what to do about them if they do exist. Dealing with an issue with Trina, discussing Billy's own life with him, and meeting Peter's friends and family may give Ann some insight into the matter.

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Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are happily married - unlike their friends Katarina and Peter who openly fight, especially when under the influence of alcohol - but there is a certain detached aloofness in the way they treat each other. In the next ten years, as they contemplate or embark upon divorce and/or known extramarital affairs, they come to differing understandings at each phase of their relationship of what they truly mean to each other. Regardless of if it's love or hate - between which there is a fine line - they also come to certain understandings of how they can best relate to each other, whether that be as husband and wife, friends, lovers or none of the above.

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Zandy Allan purchases a mail-order bride, Hannah Lund. He treats her as a possession, without respect or humanity, until their shared ordeal as they struggle to survive develops in him a growing love.

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A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in their jobs but slowly, agonizingly, she succumbs to a breakdown. Jenny is haunted by images and emotions from her past and eventually cannot function, either as a wife, a doctor or as an individual.

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After having neglected her children for many years, world famous pianist Charlotte visits her daughter Eva in her home. To her surprise she finds her other daughter, Helena, there as well. Helena is mentally disabled, and Eva has taken Helena out of the institution where their mother had placed her. The tension between Charlotte and Eva only builds up slowly, until a nightly conversation releases all the things they have wanted to tell each other.

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A Roman Catholic teenage boy in Nova Scotia during the 1930s faces various growing-up problems: Should he become a priest? What should he do about the murder he witnessed, committed by a local cop and upstanding parishioner? And how far should he go with his girl friend, who happens to be the murderer's daughter?

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Two masters of chess duel each other not only in their game but also in their different ideologies. The veteran Akiva is a Soviet Jew and ferocious Communist, master of his game but also dealing with a declining health while the young and restless genius Pavius has defected to the West to escape from the Communism tentacles. Their differences will be put to test while they're both competing in the World Chess Championship, with a huge prize at stake just as much as the political ideologies behind those characters.

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Elena lives on a Tuscan farm, separated from her ineffectual husband Leonardo, who is more concerned with his mistress Lolli than his wife or two daughters, Franca and Malvina. This collection of female figures inhabiting a world virtually without men is completed by Elena's sister Claudia and Elena's housekeeper Fosca. The only male in the house is a senile old uncle who spends most of his time knitting. This unusual stable female environment is suddenly shaken by several crises.

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The life of Gaby Brimmer, a girl physically handicapped, who finally gets her goals of study and triumph.

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A US politician visits his poet friend in Mont. St. Michael, France. While walking through the medieval island discussing their philosophies of life they happen upon Sonja, a scientist in recluse, who joins in their conversation. The two men listen to the ideas of this brilliant woman and discuss how her ideas can work in their own politician and poet lives.

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Marianne and Johan meet again after thirty years without contact, when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss. Staying at a cottage on the property are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds herself unwillingly drawn into a complicated and upsetting power struggle.

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Marianne and Johan meet again after thirty years without contact, when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss. Staying at a cottage on the property are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds herself unwillingly drawn into a complicated and upsetting power struggle.

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In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. However, the small size of their land, the infertile soil, and some bad harvests makes it tough. One of their children even starve to death. Thus, they decide to emigrate to the U.S. They meet a group of farmers with their families planing the emigration under the leadership of a banned priest. They sell everything and embark for the U.S. The journey on the sailing ship is long and tedious. Some of the emigrants will never reach the New World.

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In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. However, the small size of their land, the infertile soil, and some bad harvests makes it tough. One of their children even starve to death. Thus, they decide to emigrate to the U.S. They meet a group of farmers with their families planing the emigration under the leadership of a banned priest. They sell everything and embark for the U.S. The journey on the sailing ship is long and tedious. Some of the emigrants will never reach the New World.

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This film continues from where Utvandrarna (1971) left off. Starting a new life in the New World from almost nothing is not easy. The winters and summers are more extreme than in the Old World. But the immigrants are rewarded for their hard work. They now live a better life than they did in Sweden. Bad times also come, however. The civil war starts and the Sioux Indians make a bloody uprising against the white settlers. Karl-Oskar's family survives all these. His brother, Robert, decides to seek his fortune in the gold fields of California. He never reaches California but acquires some fortune from his boss who dies of yellow fever on the way to the gold fields. An immigrant Swede dupes him of this fortune. Robert returns to his brother where he dies from a disease contracted on the trip. Kristina, whose thoughts never leave Sweden, has several more births and gets pregnant again against the advice of her doctor. This last pregnancy kills her. The children grow up and take over the farm. Karl-Oskar becomes old and lonely. He spends his last days dreaming of his youth in the Old World.

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In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. However, the small size of their land, the infertile soil, and some bad harvests makes it tough. One of their children even starve to death. Thus, they decide to emigrate to the U.S. They meet a group of farmers with their families planing the emigration under the leadership of a banned priest. They sell everything and embark for the U.S. The journey on the sailing ship is long and tedious. Some of the emigrants will never reach the New World.

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In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. However, the small size of their land, the infertile soil, and some bad harvests makes it tough. One of their children even starve to death. Thus, they decide to emigrate to the U.S. They meet a group of farmers with their families planing the emigration under the leadership of a banned priest. They sell everything and embark for the U.S. The journey on the sailing ship is long and tedious. Some of the emigrants will never reach the New World.

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This film continues from where Utvandrarna (1971) left off. Starting a new life in the New World from almost nothing is not easy. The winters and summers are more extreme than in the Old World. But the immigrants are rewarded for their hard work. They now live a better life than they did in Sweden. Bad times also come, however. The civil war starts and the Sioux Indians make a bloody uprising against the white settlers. Karl-Oskar's family survives all these. His brother, Robert, decides to seek his fortune in the gold fields of California. He never reaches California but acquires some fortune from his boss who dies of yellow fever on the way to the gold fields. An immigrant Swede dupes him of this fortune. Robert returns to his brother where he dies from a disease contracted on the trip. Kristina, whose thoughts never leave Sweden, has several more births and gets pregnant again against the advice of her doctor. This last pregnancy kills her. The children grow up and take over the farm. Karl-Oskar becomes old and lonely. He spends his last days dreaming of his youth in the Old World.

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This film continues from where Utvandrarna (1971) left off. Starting a new life in the New World from almost nothing is not easy. The winters and summers are more extreme than in the Old World. But the immigrants are rewarded for their hard work. They now live a better life than they did in Sweden. Bad times also come, however. The civil war starts and the Sioux Indians make a bloody uprising against the white settlers. Karl-Oskar's family survives all these. His brother, Robert, decides to seek his fortune in the gold fields of California. He never reaches California but acquires some fortune from his boss who dies of yellow fever on the way to the gold fields. An immigrant Swede dupes him of this fortune. Robert returns to his brother where he dies from a disease contracted on the trip. Kristina, whose thoughts never leave Sweden, has several more births and gets pregnant again against the advice of her doctor. This last pregnancy kills her. The children grow up and take over the farm. Karl-Oskar becomes old and lonely. He spends his last days dreaming of his youth in the Old World.

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This film continues from where Utvandrarna (1971) left off. Starting a new life in the New World from almost nothing is not easy. The winters and summers are more extreme than in the Old World. But the immigrants are rewarded for their hard work. They now live a better life than they did in Sweden. Bad times also come, however. The civil war starts and the Sioux Indians make a bloody uprising against the white settlers. Karl-Oskar's family survives all these. His brother, Robert, decides to seek his fortune in the gold fields of California. He never reaches California but acquires some fortune from his boss who dies of yellow fever on the way to the gold fields. An immigrant Swede dupes him of this fortune. Robert returns to his brother where he dies from a disease contracted on the trip. Kristina, whose thoughts never leave Sweden, has several more births and gets pregnant again against the advice of her doctor. This last pregnancy kills her. The children grow up and take over the farm. Karl-Oskar becomes old and lonely. He spends his last days dreaming of his youth in the Old World.

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Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, now living in Norway since 20 years, is a war child: the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. Katrine enjoys a happy family life, with her mother, her husband, daughter and grand-daughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealment and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?

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The 42 year long relationship between legendary actress Liv Ullmann and master filmmaker Ingmar Bergman.