7 Movies Starring Madeline Kahn

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Two researchers have come to San Francisco to compete for a research grant in Music. One seems a bit distracted, and that was before he meets her. A strange woman seems to have devoted her life to confusing and embarassing him. At the same time a woman has her jewels stolen and a government whistle blower arrives with his stolen top secret papers. All, of course have the same style and color overnight bag.

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Adapted from the novel, "Addie Pray" (1971) by Joe David Brown, PAPER MOON is the story of Moses Pray and Addie Loggins. With scenery reminiscent of "The Grapes of Wrath," the film is set in the depression-era Midwestern region of the United States. As the movie opens, we see a small group of mourners clustered at a graveside. Among the mourners is Addie, the dead woman's small daughter. Moses Pray -- ostensibly of the "Kansas Bible Company" -- approaches the group, as the service concludes, and two of the elderly women remark that the child bears some resemblance to him and asks if he might be related. "If ever a child needed kin, it's now," one lady says. With no knowledge of who her father is, Addie's only haven is her Aunt's home in St. Joseph, Missouri. Having identified himself as a "traveling man spreading the Lord's gospel in these troubled times," "Mose" is prevailed upon to deliver the helpless child to her Aunt since he's going that way, anyway. Addie, wise beyond her years, soon discovers that Mose is little more than a scam artist traveling from town to town delivering unordered Bibles and charging exorbitant prices to recently widowed women whom he identifies through the obituary columns of local papers. Soon, Addie and Mose become a team, traveling from town to town, making money in every dishonest way imaginable, and looking for the ultimate score. The colorful characters they meet along the way make the film all the more interesting. Paramount among these is "Miss Trixie Delight," an exotic dancer who Mose rescues from a traveling carnival and her minion, Imogene. The film is peppered with "regional" dialog. Perhaps one of the most memorable lines of the movie is uttered when Mose is forced to wrestle a backwoodsman in order to trade his new car for the hillbilly's battered old truck. "Make him say calf-rope, Leroy!" one of the observers calls out.

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A young neurosurgeon (Gene Wilder) inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback called Igor, a pretty lab assistant named Inga and the old housekeeper, frau Blucher -iiiiihhh!-. Young Frankenstein believes that the work of his grandfather is only crap, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind...

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A group of scientist take Simon, a psychology professor, as a test person for a brainwash experiment. After that they try to convince him that he was a living-being from another planet.

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From the dawn of man to the distant future, mankind's evolution (or lack thereof) is traced. Often ridiculous but never serious, we learn the truth behind the Roman Emperor, we learn what REALLY happened at the Last Supper, the circumstances that surrounded the French Revolution, how to test eunuchs, and what kind of shoes the Spanish Inquisitor wore.

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Kansas City in the 1930s: private investigator Mike Murphy's partner is brutally murdered when he tries to blackmail a mobster with his secret accounting records. When a rival gang boss goes after the missing records, ex-policeman Murphy is forced to team up again with his ex-partner Lieutenant Speer, even though they can't stand each other, to fight both gangs before KC erupts in a mob war.

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Offbeat fashion student Betsy Hopper and her strait-laced investment-banker fiancè, Jake Lovell, just want an intimate little wedding reception, but Betsy's father, Eddie, a Long Island construction contractor, feels so threatened by Jake's rich WASP parents that he blows the ceremony up into a bank-breaking showpiece, sending his wife, Lola, into a financial panic. Pressure from Betsy's extended family to include their joint Jewish and Italian-Catholic heritage in the ceremony doesn't do much to assuage the title character's worries, nor does the lovelorn bitterness of her older sister, Connie, who's single, her parents assume, because she has the audacity to pursue the unfeminine profession of police officer. With all of his funds tied up into the money pit of a house he's building, Betsy's dad has to turn to his crooked brother-in-law, Oscar, for financial assistance, and soon a soft-spoken but menacing young mobster named Stevie Dee is supervising Eddie's construction project and casting his romantic aspirations toward the clueless Connie.