Released Date:
1995-08-09
Languages:
English
Countries:
USA
Runtime:
98 min
Rated:
R
IMDB Ratings:
6.6 (6108 Reviews)
Director:
Edward BurnsThis angst-filled tale of three Irish-Catholic brothers explores men's relationships with women. Three different situations are set up on parallel plotlines, with each brother facing a different kind of crisis. Their common bond as family, as well as close lifelong friends, allows them to express their feelings frankly and intimately, as they talk and discuss their concerns among each other. Jack finds himself in a marriage gone stale and under pressure to start a family that he does not yet feel ready for. Barry, dedicated to his film career and almost pathologically averse to any type of commitment in a relationship, is suddenly artistically successful and finds true love, both for the first time and both pulling him in opposite directions. Patrick is torn between his love for his religion and ethnic heritage and his love for Susan, his longtime Jewish girlfriend. Ultimately, they are all asked to resist temptation of one sort or another, with various poignant outcomes.
Released Date:
1996-08-23
Languages:
English
Countries:
USA
Runtime:
96 min
Rated:
R
IMDB Ratings:
6.1 (13376 Reviews)
Director:
Edward BurnsHow do siblings deal with each other in their targets? This is the question tackled in this movie. Blue-collared Mickey drives a New York taxicab since the breakup with his promiscuous ex-fiancèe Heather two years ago. His younger, white-collared brother, Francis, cannot let Mickey forget the tragedy of the "hairy ass": (Mickey's image of his apartment floor of the guy having sex with Heather after walking in on them). Finding relief in driving his cab, Mickey meets an art student named Hope whom he marries after knowing her for only 24 hours. Mickey also meets his old lover Heather, and learns more about life itself as taxi fares in the course of a summer. Francis, a young Wall Street corporate raider, unhappy in his marriage to Renee and led by his infidelity, continues his shots at Mickey throughout the film, only to find himself a plot device that lends humor and lessons about marriage and brotherhood when he meets and starts an dangerous affair with Heather, despite Mickey's warnings that Heather is a gold-digging nymphomaniac who goes through sexual partners as often as a person changes clothes. Given Mickey's frame of reference on the past and his bride of 24 hours, it is no wonder that the two brothers, along with their father, an ego-eccentric and emotionally bereft bigot and a hard-core chauvinist who does not allow women aboard his fishing boat, learn about the strength of women, and their own lives.
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