3 Movies Starring Michael Dorman

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Why does a 19 year-old girl plot to kill her own father? Katrina Skinner is stuck in suburbia with her toddler daughter and her devoted dad. Her brother Danny is in jail for life for murder. Her mother abandoned her years ago. The neighbors are scared of her. The police can't keep up with her. Nobody can control her but everybody's trying. Her dad won't mind his own business. Katrina misses her brother. She needs money for his appeal. She's bored and she's sick of living with her dad. She's not going to work a day in her life and she knows her dad's not going to help her financially anymore. She's first in line for the family inheritance. All she needs to do now is convince one of her lovers to do the deed and she's never had much trouble getting men to do what she wants. All for the love of her brother. It's John Skinner's funeral, inside the Golden Grove Crematorium. Kat sits on the front pew between her cheeky fiancè Rusty and her toddler daughter Bailee. Her mobile phone interrupts the service when she receives a text message. Suddenly we are thrust into Katrina's world: youth culture, crime, sex and suburban mayhem. This story is told from many perspectives: a kaleidoscope of flashbacks and testimonies fueled by small town gossip, the police, friends and family, her fiancè, and her many lovers. It seems everybody has a "story" to tell about Katrina Skinner. The stories don't add up, but they all take us to the same place.

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James Tresswick and Mark Vincent are victims of a brutal bully Gary Parker who has maltreated both boys, marking their bodies and spoiling their young lives. In their last year of high school, James and Mark find a way to stop being victims. They're going to kill Gary; Wandering alone around an isolated forest - the suspected site of the disappearance of a local girl - 17 year old Mark strays upon an adult male filling in a trench. It's suspicious and tantalizing. Mark returns with his friend James and Chasley Keys and they bring shovels to exhume what will probably be rotting garbage or someone's dead pet - or so they tell themselves. They find the ghostly white body of a woman. She's a tourist - a Canadian backpacker. The "trench" is a grave. The "adult male" is her killer. And they've got him by the balls. Responding to Mark's intimations James floats an idea to seek out "the sicko". It'll be a bit of fun. He's confident the guy lives in their suburb; Mark saw his car parked on a trail; Mark knows what the car looks like; Mark knows what he looks like. It can be done. Chasely goes along with it. No surprise. James has done all her thinking since they started a relationship. Mark agrees because he's got a thing for Chasely and he'd like to appear a bit more like her boyfriend, but mostly Mark agrees because he carries a culpable secret. They find the car and the killer 24 hours later. He's got the same house as everyone else and a kid and a wife. Jeez, it's anticlimactic. Then, in Chasely's bedroom, as the girl cleans up the latest damage done to Mark's face by an animal called Gary Parker, James floats another idea; What if the killer were contacted and told the name of a guy that they'd like to see dropped in a hole of his own? He's their secret, isn't he? They kind of own him, don't they? If he thinks they might let him go he'd do anything, wouldn't he? What could go wrong? James, Mark and Chasley are about to cross a line of no return as serial killer Ian Wright lures the vulnerable teenagers into his violent world.

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When Jess sets sail on a yacht with a group of friends, she cannot shake the feeling that there is something wrong. Her suspicions are realized when the yacht hits a storm and the group is forced to board a passing ocean liner to get to safety, a ship Jess is convinced she's been on before. The ship appears deserted, the clock on board has stopped, but they are not alone... Someone is intent on hunting them down, one by one. And Jess unknowingly holds the key to end the terror.