7 Movies Starring Mitsuko Baishè

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Iwao Enokizu is a middle-aged man who has an unexplainable urge to commit insane and violent murders. Eventually he is chased by the police all over Japan, but somehow he always manages to escape. He meets a woman who runs a brothel. They love each other but how long can they be together?

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The Kobayashi family finally get the chance to move out of their tiny, cramped Tokyo apartment in favour of the suburban house of their dreams. But all is not well: the house is infested by termites and the family starts cracking up: Son Masaki is studying so obsessively for his exams that he's losing his mind; daughter Erika is oblivious of all but her forthcoming record company audition, grandfather Yasukuni starts getting World War II flashbacks and father Katsuhiko is so worried about his family's "sickness" that he thinks can only be cured by group suicide...

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This is essentially eight separate short films, though with some overlaps in terms of characters and thematic material - chiefly that of man's relationship with his environment. 'Sunshine Through The Rain': a young boy is told not to go out on the day when both weather conditions occur, because that's when the foxes hold their wedding procession, which could have fatal consequences for those who witness it. 'The Peach Orchard': the same young boy encounters the spirits of the peach trees that have been cut down by heartless humans. 'The Blizzard': a team of mountaineers are saved from a blizzard by spiritual intervention. 'The Tunnel': a man encounters the ghosts of an army platoon, whose deaths he was responsible for. 'Crows': an art student encounters 'Vincent Van Gogh' and enters the world of his paintings. 'Mount Fuji in Red': nuclear meltdown threatens the devastation of Japan. 'The Weeping Demon': a portrait of a post-nuclear world populated by human mutations. 'Village of the Watermills': a sunny portrait of a village whose population is entirely at one with nature.

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White-collar worker Yamashita finds out that his wife has a lover visiting her when he's away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he "befriended" in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn't let her become close to him.

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White-collar worker Yamashita finds out that his wife has a lover visiting her when he's away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he "befriended" in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn't let her become close to him.

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An impossible tale. Taro, an old man who dies homeless in Tokyo has told Yosuke, a weak-willed out-of-work salaryman about a golden statue that he left years ago in a house by the sea in Noto. Yosuke goes and he's captivated by Saeko, a young women who lives in the house where Taro left the statue. She has a strange affliction: water builds up in her and she can only vent it by wicked acts, such as shoplifting, or, more powerfully, through orgasm. Yosuke obliges, the water gives him life, as well as the plants and fish it reaches. Saeko feels shame, and she has a past. Taro's ghost urges Yosuke to fulfill his desires, but can the relationship survive?

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Yuuichi Okano is a baby boomer born and raised in Nagasaki, Japan. His bald-head looks like a pecoross, a small onion. His Mother, Mitsue has dementia that began soon after her husband, Satoru, passed away 10 years ago... The film depicts their daily life that is full of humor and sweet sorrow. The theme of this film is nursing care and dementia that take up as serious social issue in Japan; the aging of population is advancing rapidly. But the Director, Azuma Morisaki, the age of 85, he is now the oldest active film director in Japan, got through with this film as the light and heart-warming movie.