4 Movies Starring Mohan Agashe

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Kaya, a Buddhist village girl from Spiti, is waiting to join the monastery. An elderly lama, dreams of his teacher's rebirth and Kaya is assigned to find and bring the reincarnated boy to the monastery. Kaya finds Llahmo in Mumbai and they plan their journey back to Spiti. On their way back, Llahmo witnesses the murder of a police officer. Police Officer Shiven is assigned to investigate the case. He forbids Llahmo from leaving town much to the resentment of Kaya. Shiven gets into danger when he realizes that some police officers are involved in the murder. He escapes with Kaya and Llahmo to Spiti. It is here that love blossoms between Kaya and Shiven and the movie changes track. Kaya's father does not approve of their love because he thinks that romantic feelings are sinful. Kaya is torn between love and celibacy and has to decide which one she wants.

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Aan honest cop named Sadhu Agashe makes a name for himself by killing criminals in sting operations instead of locking them up in prison. The film follows his method of working, gives an insight into the Mumbai Police Crime Branch, and Agashe's alleged connection with the underworld.

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In the rural areas of Maharashtra lies a peaceful village called Mangrul. One day Keshav (Girish Kulkarni), a village youth, sees lord Dattatrey (Datta) in his dreams while taking a nap under a tree. He makes a hue and cry in the village saying God made an appearance for him. Anna (Dilip Prabhavalkar), most respected figure of Mangrul, advises him against announcing such personal matter as it's a question of faith. However, it is too late as a journalist (Kishor Kadam) sensationalizes the news about Lord Dattatrey making an appearance in Mangrul. There is now a demand for a Dattatrey temple. Bhau (Nana Patekar), a political activist, doesn't approve it as he wants the funds to be used for better purposes but he seems helpless. The temple is built and the village becomes a holy place. Mangrul goes through a 360 degree change due to commercialization but nobody is complaining except Anna. Soon, blinded by the commercial progress, God is forgotten. Every village has a right to progress commercially but how ethical it is to use a temple and its God to achieve it? The question is raised by Writer Girish Kulkarni & Director Umesh Vinayak Kulkarni's latest offering 'Deool', without being judgemental. While it does this, the audience is treated to some quality cinematic experience which is enlightening.