3 Movies Directed by Anne Sundberg

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"The Trials of Darryl Hunt" is a feature documentary about a brutal rape/murder case and a wrongly convicted man, Darryl Hunt, who spent nearly twenty years in prison for a crime he did not commit. Both a social justice story and a personally driven narrative, the film chronicles this capital case from 1984 through 2004. With exclusive footage from two decades, the film frames the judicial and emotional response to a chilling crime - and the implications that reverberate from Hunt's conviction - against a backdrop of class and racial bias in the South and in the American criminal justice system. This documentary is the culmination of ten years of research and filming. In 1993, inspired by claims of injustice and police conspiracy, the filmmakers began to shoot in North Carolina. Working from a mix of formats (16mm and 24P video) the film melds the visceral reality of a murder case with first person accounts and cinematic imagery, illuminating perceptions and memories of events as they unfolded for the people closest to this haunting story. This unique look at one man's loss and redemption challenges the assumption that all Americans have the right to unbiased justice. Hunt's story - while one man's personal journey - reflects systemic issues of national concern: cross-racial eyewitness identification, prosecutorial misconduct, inexperienced defense attorneys assigned to capital cases, racial bias in death penalty cases and errors in police procedure. Barry Scheck from The Innocence Project, who worked on Hunt's case for ten years, and Gary Wells, professor and eyewitness expert, offer concrete examples where errors occurred in Hunt's saga and offer future remedies and effective ideas to prevent future "Darryl Hunts." Hunt himself addresses the need for systemic reforms to prevent wrongful convictions, underscoring the haunting reality that Hunt could have been sentenced to death and we would never have known this story.

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The tragedy taking place in Darfur as seen through the eyes of an American witness and who has since returned to the US to take action to stop it. Uses the photographs and first hand testimony of former U.S. Marine Captain Brian Steidle to take the viewer on a journey into the heart of Darfur, Sudan, where an Arab run government is systematically executing a plan to rid the province of its black African citizens. As an official military observer, Steidle had access to parts of the country that no journalist could penetrate. Ultimately frustrated by the inaction of the international community, Steidle resigned and returned to the US to expose the images and stories of lives systematically destroyed. We witness Steidle's transformation from soldier to observer to witness and, finally, to passionate activist and moral hero.

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This documentary follows one year in the life of Joan Rivers, who sees herself first and foremost as an actress, with her life as a comedienne/writer just an extension of being an actress. Now at age 75, Rivers has faced her ups and downs in her forty plus year career, the year leading up to filming being a down compared to what she would have wanted, which is a calendar full of engagements with several engagements each day. That want is in part to support her opulent personal lifestyle, but is more a need to bolster her own sense of self-worth as a basically insecure person who is probably best known now for her overuse of cosmetic surgery rather than her professional work. She feels that Kathy Griffin, who she admires, is now getting all the engagements she would have gotten in her prime. During this year, Rivers is seen going from engagement to engagement, some big - such as a Kennedy Center Honors for George Carlin, a double bill with Don Rickles in New York, and her own celebrity roast on Comedy Central (which she really isn't looking forward to) - and some not so big. But perhaps the most important of these to her is the opening of her new play, which she is testing in Edinburgh, important in that she wants to be seen as an actress; and an appearance on a celebrity version of The Apprentice (2004), important in that it will mark her first appearance on NBC since being blacklisted by them for her disagreement with Johnny Carson over the start of her own talk show on rival Fox back in 1989. Through the year, several long time supporters are at her side, including daughter Melissa Rivers, personal assistant 'Jocelyn Pickett', and manager Bill Sammeth, but all is not smooth even in this part of her life.