17 Movies Directed by Bertrand Tavernier

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Michel Descombes is a watchmaker in the district of Saint-Paul, Lyons. He lives quietly, alone with his almost grown-up son, Bernard. One day, the police come and say Bernard murdered a FACTORY OWNER. Superintendent Guiboud asks Michel for help. But Michel realizes how little he knows about his son. He also starts to feel he is unable to blame his son.

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France, 1893. Joseph Bouvier, a former Sergeant in the French military, shoots his beloved and attempts to kill himself. Having survived with two bullets in his brain, he is released from the Dole medical facility, a place of mental and physical filthiness. Then begins a five-year period of wandering on the roads of the South East of France, during which Bouvier rapes and eventually kills two dozen defenseless shepherds and farm servants of both sexes. Judge Rousseau thinks this case would help his career as a right wing politician and therefore issues warrants of arrests to find any hobo fitting the description. But if Bouvier was declared insane, the Judge's plan may become a trap...

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Roddy has a camera implanted in his brain. He is then hired by a television producer to film a documentary of terminally ill Katherine, without her knowledge. His footage will then be run on the popular TV series, "Death Watch"...

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1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his wife Huguette) humiliates him. He never arrests anyone and looks at elsewhere when a dirty trick occurs. But one day, he turns into a machiavellian exterminating angel.

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In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. She is always in a hurry, she lives alone and does not come so often... An intimist chronicle in which what is not shown, what is guessed, is more important than how it looks, dealing with what each character expects of life.

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In 'Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays the fictional tenor sax player Dale Turner, a musician slowly losing the battle with alcoholism, estranged from his family, and hanging on by a thread in the 1950's New York jazz world. Dale gets an offer to play in Paris, where, like many other black American musicians at the time, he enjoys a respect for his humanity that is not based upon the color of his skin. A Parisian man who is obsessed with Turner's music befriends him and attempts to save Turner from himself. Although for Dale the damage is already done, his poignant relationship with the man and his young daughter re-kindles his spirit and his music as the end draws near.

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January, 1920. 350,000 French soldiers remain missing in action. Major Dellaplane tirelessly matches the dead and the wounded with families' descriptions. Honor and ethics drive him; he hates the idea of "the unknown soldier." Into his sector, looking for her husband, comes a haughty, politically connected Parisian, Madame Irène de Courtil. Brusquely, Dellaplane offers her 1/350,000th of his time, but as their paths cross and she sees his courage and resolve, feelings change. After he finds a surprising connection between her missing husband and a local teacher, Irène makes Dellaplane an offer. This man of action hesitates: has he missed his only chance?

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The setting is the Riviera in autumn. A retired English businessman has just been through heart surgery but it has, apparently, done little to relieve his constant pain or improve his long-term survival prospects. During his recuperation Caroline, his adult daughter, comes from Paris to be with him and her mother, Miche, and she and her father begin to communicate as adults for the first time.

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This gritty police drama shows us the underbelly of the Parisian drug trade. Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by the rules or kowtow to his weak and/or corrupt superiors. Lulu thrives in this violent world, where sheer guts can overcome his squad's deficiencies of money and equipment. Despite the ruthless environment that he lives and works in every day, he still manages somehow to maintain his humanity.

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Three adolescents, a girl who serves as the priming and two boys, kill two men cold blooded who were known by the girl only for to steal the money of them. With the money the three want to open a shop for clothing in the United States. But their dream turns out to be more difficult to realize than the assassination.

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Bulgaria near the end of World War I: Conan, warrior and wolf, leads a band of 50 ruthless French fighters who love hand-to-hand combat. Their motto: "We forgot to take prisoners, Captain." At war's end, the unit goes to Bucharest, where Conan tries to keep them out of trouble, defends them when they behave as warriors, and finds he's unsuited for peacetime. His friendship with Norbert, a teacher turned lieutenant, is tested when Norbert accepts a job as court-martial prosecutor because he's learned that Conan will be facing charges and he wants to protect his friend. When they are sent to the Russian border to fight Bolsheviks, Conan is back in his element and Norbert is off the hook.

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Daniel is schoolmaster of a kindergarten in a small French town. The local economy, which depended entirely on coal production, has been mired in a depression ever since the mines were closed. When their parents fall into utter discouragement or even poverty because of prolonged unemployment, the children suffer the consequences. Daniel is confronted daily with difficult situations and he feels responsible to deal with them although they are outside the scope of his responsibilities. This is a frustrating task: politicians are concerned with tightening their budgets, bureaucrats in the intricate web of French social and educational services with their prerogatives, utility companies with getting their bills paid; teachers, social workers, and policemen are overwhelmed. Daniel's relations with his parents, but also with Valeria, his fiancèe, and her son are not entirely smooth either. He nevertheless soldiers on with the staff of the kindergarten, all doing their best to educate the children of a severely disrupted society.

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In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in between the wolf's teeth and avoid being chewed up". Fast-living screenwriter Jean Aurenche uses every possible argument to avoid working for the enemy. For both, wartime is a battle for survival.

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The trials and tribulations of a French couple's efforts to adopt an orphan baby in Cambodia.

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Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before.

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Bertrand Tavernier is in top form with this gripping, superbly mounted drama set against the savage Catholic/Protestant wars that ripped France apart in the 16th century. Based on a novella by the celebrated Madame de Lafayette, the action centers on the love of Marie de Mezières for her dashing cousin Henri de Guise, thwarted when her father's political ambitions force her into marriage with the well-connected Philippe de Montpensier, who she has never met. When Philippe is called away to fight, she is left in the care of Count Chabannes, an aging nobleman with a disdain for warfare, and soon becomes exposed to the sexual and political intrigues of court.

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Alexandre Taillard de Vorms is tall and impressive, a man with style, attractive to women. He also happens to be the Minister of Foreign Affairs for the land of enlightenment: France. With his silver mane and tanned, athletic body, he stalks the world stage, from the floor of the United Nations in New York to the powder keg of Oubanga. There, he calls on the powerful and invokes the mighty to bring peace, to calm the trigger-happy, and to cement his aura of Nobel Peace Prize winner-in-waiting. Alexandre Taillard de Vorms is a force to be reckoned with, waging his own war backed up by the holy trinity of diplomatic concepts: legitimacy, lucidity and efficacy. He takes on American neo-cons, corrupt Russians and money-grabbing Chinese. Perhaps the world doesn't deserve France's magnanimousness, but his art would be wasted if just restricted to home turf. Enter the young Arthur Vlaminck, graduate of the elite National School of Administration, who is hired as head of "language" at the foreign ministry. In other words, he is to write the minister's speeches. But he also has to learn to deal with the sensibilities of the boss and his entourage, and find his way between the private secretary and the special advisers who stalk the corridors of the Quai d'Orsay - the ministry's home - where stress, ambition and dirty dealing are the daily currency. But just as he thinks he can influence the fate of the world, everything seems threatened by the inertia of the technocrats.