Released Date:
1999-04-07
Languages:
French
Countries:
France
Runtime:
95 min
IMDB Ratings:
6.5 (487 Reviews)
Franèois Dupeyron
Alain Leblanc (novel)
In the 1960s in Normandy, Mina, Georges' beautiful and sensible wife, seeks to escape from her routine life by going to the cinema with Tommy, their fifteen-year-old boy. After a screening of West Side Story, Matthias, a man they are sitting next to, invites them for a drink at a dance hall. At the same time, Georges finds a job at a building site and is compelled to stay away from home the whole week long. The growing passion between Mina and Matthias is as painful for Tommy as for Georges. He finally accepts Mina's departure, as he hopes that this love affair will not last long ...
Released Date:
2007-06-15
Languages:
French, English, Spanish, Mandarin, Arabic
Countries:
France, Liechtenstein, Switzerland, Germany
Runtime:
120 min
Rated:
R
IMDB Ratings:
7.3 (60536 Reviews)
Director:
Olivier AssayasFrèdèric AuburtinEmmanuel BenbihyGurinder ChadhaSylvain ChometEthan CoenJoel CoenIsabel CoixetWes CravenAlfonso CuarènGèrard DepardieuChristopher DoyleRichard LaGraveneseVincenzo NataliAlexander PayneBruno PodalydèsWalter SallesOliver SchmitzNobuhiro SuwaDaniela ThomasTom TykwerGus Van SantTristan Carnè (original idea)
Emmanuel Benbihy (concept)
Emmanuel Benbihy (transitions)
Bruno Podalydès (segment)
Paul Mayeda Berges (segment)
Gurinder Chadha (segment)
Gus Van Sant (segment)
Joel Coen (segment)
Ethan Coen (segment)
Walter Salles (segment)
Daniela Thomas (segment)
Christopher Doyle (segment)
Rain Li (in collaboration with)
Gabrielle Keng (in collaboration with)
Isabel Coixet (segment)
Nobuhiro Suwa (segment)
Sylvain Chomet (segment)
Alfonso Cuarèn (segment)
Olivier Assayas (segment)
Oliver Schmitz (segment)
Richard LaGravenese (segment)
Vincenzo Natali (segment)
Wes Craven (segment)
Tom Tykwer (segment)
Gena Rowlands (segment)
Alexander Payne (segment)
Nadine Eèd (segment)
Frèdèric Auburtin (transitions)
Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all.
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