9 Movies Directed by John Singleton

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John Singleton's portrayal of social problems in inner-city Los Angeles takes the form of a tale of three friends growing up together 'in the 'hood.' Half-brothers Doughboy and Ricky Baker are foils for each other's personality, presenting very different approaches to the tough lives they face. Ricky is the 'All-American' athlete, looking to win a football scholarship to USC and seeks salvation through sports, while 'Dough' succumbs to the violence, alcohol, and crime surrounding him in his environment, but maintains a strong sense of pride and code of honor. Between these two is their friend Tre, who is lucky to have a father, 'Furious' Styles, to teach him to have the strength of character to do what is right and to always take responsibility for his actions.

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After witnessing the murder of her first and only boyfriend, young Justice decides to forget about college and become a South Central Los Angeles hairdresser. Avoiding friends, the only way for her to cope with her depression is by composing beautiful poetry. On her way to a convention in Oakland, she is forced to ride with an independent-minded postal worker whom she has not gotten along with in the past. After various arguments between them and their friends, they start to discover that their thoughts on violence, socially and domestically, are the same. Justice may finally feel that she is not as alone as before.

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Youngsters from different countries, races, and social background are forced to integrate when they all enroll in Columbus University. They all have their own problems, such as finance, harrassment, personal safety, and self doubt. Additionally, campus life seems to be causing a problem for everyone: racism. Students, already under pressure to perform in the classroom, on the track, or in front of their friends, are strained to the breaking point by prejudice, inexperience, and misunderstanding.

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Ving Rhames stars as Mann, a drifter caught in Rosewood, a town filled with racial prejudice. He ends up aiding the surviving African-Americans escape the town, with the help of a humble store owner played by Jon Voight.

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Cool and deadly NYPD detective John Shaft arrests Walter Wade, Jr. in a racially-motivated slaying. The eye witness disappears, Wade jumps bail for Switzerland, and Shaft is livid. Two years later, Wade returns to face trial, confident his father's money and influence (and racial politics) guarantee an innocent verdict. Shaft looks hard for the witness, so Wade wants someone to kill her. He turns to a ghetto drug king, Peoples Hernandez, who's willing to kill for money, use Wade as a route to rich drug customers, and shaft Shaft. Can Shaft find the witness, convince her to testify, and shepherd her through the hail of bullets that Peoples is sure to let fly?

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This is the story of Jody, an unemployed young black man, who's been living with his mother for several years, even though he's got a child of his own. Romantically, he's having relationships with two women: Yvette, the mother of his son, and a new interest.

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EX LAPD cop Brian O'Conner (Paul Walker) teams up with his ex-con friend Roman Pearce (Tyrese Gibson) and works with undercover U.S. Customs Service agent Monica Fuentes (Eva Mendes) to bring Miami-based drug lord Carter Verone (Cole Hauser) down.

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Four adopted brothers come to avenge their mother's death in what appears to be a random killing in a grocery store robbery. However, the boys' investigation of the death reveals more nefarious activities involving the one brother's business dealings with a notorious local hoodlum. Two cops who are trying to solve the case may also not be what they seem.

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High school seniors Nathan and Karen find a website with photos of children who are missing or believed abducted. One of the photos is of Nathan as a child, putting into question the identities of the couple whom he's always called Mom and Dad. Contacting the site to learn more only results in Nathan becoming the target of an intense, high-tech, international manhunt. Before his "parents" can explain themselves, they are executed by hired guns, and Nathan is on the run with Karen in tow (who just happened to be there at the wrong time). Phone use by either of them only connects directly to a man claiming to be C.I.A., in whom they find reasons not to trust. With encroaching shootouts, car chases, hand-to-hand combat and explosions around them, this seems quite much for a mere case of child abduction, and Nathan can only rely on the wrestling, boxing and martial arts skills taught by his "dad" to protect both himself and Karen as they follow a lead to find Martin, Nathan's biological father, who can likely shed light on what all this is about.