4 Movies Directed by Reha Erdem

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In an apartment building where neighbors, friends, and family are living in close quarters, three male protagonists encounter three phases of manhood in Turkish society. Directors Reha Erdem's light touch and slyly amusing style do not miss the opportunity to illuminate some serious points in a strictly patriarchal society.

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A small, poor village leaning over high rocky mountains, facing the immense sea, flanked by olive yards. Villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living, on a daily survival basis, out of the earth and of a few animals they feed. Just like the animals and trees around them, they have the knowledge of their temporary existence, hence a sober resignation prevails. They live according to the rhythm of the earth, air and water, day and night and seasons. The daily time is divided into five parts by the sound of the call to prayer. Every day, all human events are lived through within these five time slices. In child raising, grownups go on with the practice they have experienced by their parents. They expose their love awkwardly and consider beating a favorable method. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. èmer, Yakup and Yildiz, three children of about 12,13 years old, just between childhood and youth, are the prominent characters in this movie of five times. èmer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. He shares his guilty thoughts with his friend Yakup. Children study in the village school consisting of only one classroom. Families show their gratitude to the young woman teacher by giving her presents -the bread they cook themselves, the milk of their own sheep. Yakup is in love with his teacher. He hides his guilty feelings even from his best friend èmer. When some day he sees his father spying the teacher, he dreams, like Yakup, of killing his father. Yildiz both studies and tries to manage the household works imposed by her own mother. She tries to be a mother for her baby brother. On the other hand, she learns with irritation about the secrets of the relationship between men and women. Five times elapse. Children, oscillating between rage and guilt, grow up slowly. èmer gives up killing his father. Stuck between love and hate, he cries desperately.

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Hayat, her father and bedridden grandfather live in a riverside shack near the dangerously dark but breathtakingly beautiful waters of the Bosphorus. Hayat's father owns a small boat that secures the family's survival through a miscellany of not always lawful ventures. Beyond the motion and romance of the water, Hayat's life is harsh and unrelenting. But Hayat has an instinct for survival. Her capacity for courage, endurance and hope in the face of these trials suggest that there is Life despite the manifold injustices of an unjust world.

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A strange man with otherworldly talents becomes both a friend and a pariah in a small Turkish town in this drama from writer and director Reha Erdem. Yahya is nearly in a panic when his young son falls into the river on a wintry day and looks lifeless when he's pulled from the water. But a stranger appears out of nowhere and takes the boy in his arms, and suddenly the child is breathing and perfectly healthy again. Yahya and his teenage daughter Neptun are grateful to the stranger, who they discover is named Kosmos, and they bring him into town, where they offer to find him a place to stay. But Kosmos, who often prefers to communicate in inarticulate noises, doesn't care for his new accommodations, and he develops a bad reputation for his habit of stealing things, his strange diet (consisting entirely of sweets), and his desire to bed as many women as possible, including Neptun. Kosmos is on the verge of being driven from the village when it's discovered that he can heal himself at will, and others as well; folks eager to have their loved ones made well again struggle to put up with Kosmos's strange ways in exchange for having a man of his talents in the community.