5 Movies Starring Tannishtha Chatterjee

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A young Bangladeshi woman, Nazneen, arrives in 1980s London, leaving behind her beloved sister and home, for an arranged marriage and a new life. Trapped within the four walls of her flat in East London, and in a loveless marriage with the middle aged Chanu, she fears her soul is quietly dying. Her sister Hasina, meanwhile, through letters to Nazneen, tells of her carefree life back in Bangladesh, stumbling from one adventure to the next. Nazneen struggles to accept her lifestyle, and keeps her head down in spite of life's blows, but she soon discovers that life cannot be avoided - and is forced to confront it the day that the hotheaded young Karim comes knocking at her door.

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VISHNU, a restless young man, itches to escape his father's faltering hair oil business. An old truck beckons, which Vishnu sees as his ticket to freedom. He offers to drive the antique Chevy across the desert to the sea, where it has been sold to a local museum. As he sets off across the harsh terrain, he discovers he's not merely transporting a battered vehicle, but an old touring cinema. Along the way, Vishnu reluctantly picks up a young runaway, a wandering old entertainer and a striking gypsy woman. Together they roam the barren land, searching for water and an elusive fair. The journey turns dire when they are waylaid by corrupt cops and a notorious waterlord. The key to their freedom is the eccentric collection of films and the two forty-year-old film projectors in the back of the truck. As in 1001 Nights, if the films are good, they live and move on. If the films are boring, they face death in the outback. The journey proves transformative for each of the travelers, but especially for Vishnu who discovers life, love and laughter on the Indian highway.

Basic Info:

Cast:

Writer:

Fullplot:

VISHNU, a restless young man, itches to escape his father's faltering hair oil business. An old truck beckons, which Vishnu sees as his ticket to freedom. He offers to drive the antique Chevy across the desert to the sea, where it has been sold to a local museum. As he sets off across the harsh terrain, he discovers he's not merely transporting a battered vehicle, but an old touring cinema. Along the way, Vishnu reluctantly picks up a young runaway, a wandering old entertainer and a striking gypsy woman. Together they roam the barren land, searching for water and an elusive fair. The journey turns dire when they are waylaid by corrupt cops and a notorious waterlord. The key to their freedom is the eccentric collection of films and the two forty-year-old film projectors in the back of the truck. As in 1001 Nights, if the films are good, they live and move on. If the films are boring, they face death in the outback. The journey proves transformative for each of the travelers, but especially for Vishnu who discovers life, love and laughter on the Indian highway.

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Inspector Joshi is a grieving father searching for his daughter Aruna, kidnapped years ago when she was six. In his despair, life converges with a recurring dream in which Joshi pursues a shadowy figure who leads him to 'Paradise', a night-club where teenage girls dance to a leering crowd. He is convinced he will find Aruna there and vows to bring her back to Leela, his broken wife.

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After sending away his 12 year-old son Siddharth for work, Mahendra (a chain-wallah who specializes in fixing broken zippers on the streets) is relieved as his financial burdens will be alleviated. But when Siddharth fails to return home, Mahendra learns he may have been taken by child-traffickers. With little resources and no connections, he travels across India in pursuit, with the hope that whatever force arbitrarily took his child away will return him unharmed.