7 Movies Starring Satish Kaushik

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Orphaned as a child, Arun Verma (Anil Kapoor) has dedicated his adult life to looking after orphaned children, in a house where he is unable to afford to pay the rent nor even day to day expenses for necessities. He decides to rent one of the rooms, and the tenant is a newspaper reporter named Seema Sohni (Sridevi), who happens to dislike children. Internation crime lord and terrorist Mogambo (Amrish Puri) takes an interest in his very house to store his firearms, and other weapons, and sends his men to force Arun to vacate. Arun and some of the children are beaten-up and threatened with dire consequences if they do not vacate the house. Arun's dad's friend Professor Sinha (Ashok Kumar) shows Arun a device that will make in him invisible, and thereby he will find a way to fight to keep the house. Arun tries the device, and he becomes invisible. Using this, he is able to turn the tables on Mogambo's men, and calls himself "Mr.India". Mr. India becomes popular with the masses, and people everywhere rejoice and claim him to be their new savior. No one knows that Mr. India is Arun, save for Jugal (Aftab Shivdasani). This does not auger well with Mogambo, and he spreads his terror, killing hundreds of innocent citizens, including a child in Arun's care. Mogambo decides to kidnap the children, Seema, and Arun himself, and hopes to trap Mr. India, when he attempts to rescue them. The abduction takes place, and Arun, Seema, and the children are locked in a cell. In this skirmish, Arun misplaces the device, while Seema and the children await the arrival of Mr. India to rescue them, not knowing that time is running out, and Mogambo has already planned their deaths in a pit full of acid.

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Avinash(Anil Kapoor) went to Calcutta for no reason. After meeting with Reema (Rani Mukherjee), he starts having flashbacks about his past and his son. His inquiries take him to Bombay via the Calcutta Mail, and this is where he will find out whether his son is alive or not, or he has been trapped.

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Avinash(Anil Kapoor) went to Calcutta for no reason. After meeting with Reema (Rani Mukherjee), he starts having flashbacks about his past and his son. His inquiries take him to Bombay via the Calcutta Mail, and this is where he will find out whether his son is alive or not, or he has been trapped.

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A young Bangladeshi woman, Nazneen, arrives in 1980s London, leaving behind her beloved sister and home, for an arranged marriage and a new life. Trapped within the four walls of her flat in East London, and in a loveless marriage with the middle aged Chanu, she fears her soul is quietly dying. Her sister Hasina, meanwhile, through letters to Nazneen, tells of her carefree life back in Bangladesh, stumbling from one adventure to the next. Nazneen struggles to accept her lifestyle, and keeps her head down in spite of life's blows, but she soon discovers that life cannot be avoided - and is forced to confront it the day that the hotheaded young Karim comes knocking at her door.

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VISHNU, a restless young man, itches to escape his father's faltering hair oil business. An old truck beckons, which Vishnu sees as his ticket to freedom. He offers to drive the antique Chevy across the desert to the sea, where it has been sold to a local museum. As he sets off across the harsh terrain, he discovers he's not merely transporting a battered vehicle, but an old touring cinema. Along the way, Vishnu reluctantly picks up a young runaway, a wandering old entertainer and a striking gypsy woman. Together they roam the barren land, searching for water and an elusive fair. The journey turns dire when they are waylaid by corrupt cops and a notorious waterlord. The key to their freedom is the eccentric collection of films and the two forty-year-old film projectors in the back of the truck. As in 1001 Nights, if the films are good, they live and move on. If the films are boring, they face death in the outback. The journey proves transformative for each of the travelers, but especially for Vishnu who discovers life, love and laughter on the Indian highway.

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VISHNU, a restless young man, itches to escape his father's faltering hair oil business. An old truck beckons, which Vishnu sees as his ticket to freedom. He offers to drive the antique Chevy across the desert to the sea, where it has been sold to a local museum. As he sets off across the harsh terrain, he discovers he's not merely transporting a battered vehicle, but an old touring cinema. Along the way, Vishnu reluctantly picks up a young runaway, a wandering old entertainer and a striking gypsy woman. Together they roam the barren land, searching for water and an elusive fair. The journey turns dire when they are waylaid by corrupt cops and a notorious waterlord. The key to their freedom is the eccentric collection of films and the two forty-year-old film projectors in the back of the truck. As in 1001 Nights, if the films are good, they live and move on. If the films are boring, they face death in the outback. The journey proves transformative for each of the travelers, but especially for Vishnu who discovers life, love and laughter on the Indian highway.

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Atithi Tum Kab Jaoge? is the story of Puneet and Munmun, a happily married couple living in Mumbai whose lives take an interesting turn when a distant relative, Chachaji turns up unannounced at their doorstep from a far off village. The guest overstays his welcome so much so that the exasperated couple come up with various ploys to hasten his departure to hilarious results.