4 Movies Directed by Marc Levin

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Slam tells the story of Ray Joshua, an original, gifted young MC trapped in a war-zone housing project known as Dodge City. Unable to find a job, Ray copes with the despair and poverty of his neighborhood by using his wits and verbal talent.

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In a virtually all-white Iowa town, Flip daydreams of being a hip-hop star, hanging with Snoop Doggy Dogg and Dr. Dre. He practices in front of a mirror and with his two pals, James and Trevor. He talks Black slang, he dresses Black. He's also a wannabe pusher, selling flour as cocaine. And while he talks about "keeping it real," he hardly notices real life around him: his father's been laid off, his mother uses Food Stamps, his girlfriend is pregnant, James may be psychotic, one of his friends (one of the town's few Black kids) is preparing for college, and, on a trip to Chicago to try to buy drugs, the cops shoot real bullets. What will it take for Flip to get real?

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In Brooklyn's Crown Heights, where West Indian Rastafarians and other Blacks live next door to the Jewish Lubavitch community, ethnic tensions are high. After a minor car crash, the headstrong Judah and other Jewish youths who patrol as vigilantes confront Scratch, a mouthy African-American hustler. Passengers in the cars make eye contact: Sol, a hip-hop musician, songwriter, and artist (Scratch's friend), and Sara, who is betrothed to Judah but wants to go to college and be on her own. Over the next few days, while Scratch and Judah's conflict escalates in violence, Sara and Sol connect in ways that echo Sheba and Solomon. The friendship puts them in danger.

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After the infamous 9/11 attacks of 2001, there came a virulent resurgence of antisemitism reemerging in America convinced that the Jews were responsible for the terrorism. Feeding this is the repeatedly debunked book libel, Protocols of the Elders of Zion and its disguised adaptations. Director Marc Levin goes on a journey to interview the promoters of this kind of hate in all its forms.