7 Movies Directed by Roy Ward Baker

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When British Intelligence discovers that an Iron Curtian country is developing insects as weapons they persuade eminent entomologist Frances Gray to get into the country to collect some specimens. On arrival her cover is almost immediately blown and her contact murdered. The future looks grim for her and also perhaps for the world.

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The crew of a submarine is trapped on the sea floor when it sinks. How can they be rescued before they run out of air?

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As writer Harry Street lays gravely wounded from an African hunting accident he feverishly reflects on what he perceives as his failures at love and writing. Through his delirium he recalls his one true love Cynthia Green who he lost by his obsession for roaming the world in search of stories for his novels. Though she is dead Cynthia continues to haunt Street's thoughts. In spite of one successful novel after another, Street feels he has compromised his talent to ensure the success of his books, making him a failure in his eyes. His neglected wife Helen tends to his wounds, listens to his ranting, endures his talk of lost loves, and tries to restore in him the will to fight his illness until help arrives. Her devotion to him makes him finally realize that he is not a failure. With his realization of a chance for love and happiness with Helen, he regains his will to live.

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A successful attempt at an even-handed portrayal of the White Star Line's (later part of Cunard) luxury liner R.M.S. Titanic's sinking from the standpoint of 2nd Officer Charles Herbert Lightoller, himself the most senior of the ill-fated ship's Deck Officers to survive the disaster. (Lightoller later went on to distinguish himself as a line British Naval Officer during the First World War and served as a Senior Naval Staff Officer (convoys) during WWII. Between wars he owned and operated a successful family business producing pleasure craft.) His own survival of the sinking, along with several others, is shown atop one of the liner's two "collapsible" lifeboats which was capsized in floating off the liner as it sank. The picture depicts then known facts (c1958) as reported after the sinking; such as the woeful lack of adequate lifeboats, the ship's band playing true to the very end, White Star's co-owner Bruce Ismay's somewhat less than chivalrous departure from the sinking vessel -and- the Titanic's designer (Andrews, on-board) revelation that due to the severity of below-the-water-line damage and that the vaunted watertight compartments were not designed to nor sealed up to the weather deck, would only delay the inevitable as sea water spilled over the top of one to the next from the bows to the stern. It also addresses the mysterious ship seen from the Titanic's bridge stopped some 12-19 miles off and depicts it as being the S.S. Californian, whom - if that steamship had responded, the loss of life could have been far, far less. The Californian is seen stopped due to the ice warnings, the same alerts whose import were undervalued by the Titanic's Captain Smith. She herself had shut-down wireless operations, nominally at 11:00pm as her sole operator retired for the evening, this before the iceberg was struck and the 1st distress calls were made by Titanic. It also addresses somewhat the coal fire in one of Titanic's bunkers - apparently not uncommon back in those days, before her departure into the Atlantic and potential for damage to steel plates below the water line. (This picture predates the calling-into-question of the quality of rivets (metalurgy) which has since come to the fore.) The film also shows the class distinction and its impact as to whom - of the "women and children first," got a seat in a boat; the fact that the first/earliest lifeboats launched were not at full capacity; and that the boats launched from the port and starboard side held to different criteria as to loading. The latter allows the viewer an inference as to the importance for crew and passenger alike as to lifeboat drills which were then (1912) neither required nor ever held aboard Titanic. One of several movies on the subject, it stands well the test-of-time for its "just the facts" approach in the telling and avoidance of conjecture or added melodrama.

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A young psychiatrist interviews four inmates in a mental asylum to satisfy a requirement for employment. He hears stories about 1) the revenge of a murdered wife, 2) a tailor who makes a suit with some highly unusual qualities, 3) a woman who questions her sanity when it appears that her brother is conspiring against her, and 4) a man who builds tiny toy robots with lifelike human heads.

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Five men trapped in the basement vault of an office building share visions with each other of their demise. Stories revolve around vampires, bodily dismemberment, east Indian mysticism, an insurance scam, and an artist who kills by painting his victims' deaths.

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A writer of horror stories is invited to a "monster club" by a mysterious old gentleman. There, three gruesome stories are told to him; between each story some musicians play their songs.